Imperial Kiln, National Heritage Site at Jingdezhen City:Re-Production of Ancient Space in the Process of China's Revitalization

Abstract

This is basic research that uses the concept of "reproduction of space" as its core idea. The study of the Jingdezhen Imperial Kilns examines the production of space within the imperial kilns during the feudal dynasties (766-1911) and the reproduction of ancient space during China's revitalization. The findings indicate that the imperial kiln space underwent material foundations during the Tang Dynasty, systematic development during the Song Dynasty, and a shift from government-run operations to bureaucratic operations during the Yuan Dynasty. Ultimately, it evolved into a standardized production space under imperial authority during the Ming and Qing Dynasties. The form and function of this space were deeply suited to feudal rituals and imperial aesthetics. The second period, from the end of the dynasties to the restoration of the imperial pottery workshops (1911-2014), saw the impact of the decline of imperial power, the inflow of capital, the effects of war, and the end of the imperial institution. This led to a shift in the meaning of the space, from imperial kilns to private craftsmanship, and ultimately, the reproduction of ancient space. Designated as a National Cultural Heritage Site (2014-2025), the Imperial Kiln has transformed from a "pottery production site" to a "national cultural heritage symbol" through various methods, including archaeological preservation and authentic display, function-focused restoration and enhancement, and linking the past and present. This is achieved by deeply connecting with dominant forces of each era, such as natural resources, imperial power, national systems, and cultural policies. The reconstruction and recreation of the Imperial Kiln site demonstrates social relationships and power structures at the local level within a historical context. This successful transformation from a production site to a national cultural heritage symbol has fostered positive interactions among heritage preservation, cultural transmission, and economic development, enriching the theoretical dimensions of craft heritage research and serving as an example for similar heritage preservation and promotion worldwide