REDEFINING THE IDEAL: PATRIARCHY AND THE WORKING-CLASS HINDU FEMININITY IN KIRAN RAO’S LAAPATAA LADIES

Main Article Content

Atreyee Dutta

Abstract

Kiran Rao's Laapataa Ladies (2024) presents an intimate and authentic portrayal of womanhood. The characters’ portray an agrarian lifestyle along with working-class rural landscapes of North India during the early 2000s.


Based on a story about two veiled brides accidentally getting swapped in a train, this film follows the lives of Phool Kumari and Jaya- who is traveling under the alias Pushpa Rani. The story unfolds as they navigate the expectations placed upon a rural Hindu wife.


This research paper argues that the film should not be viewed as a generic narrative of "tradition versus modernity," but rather as a profound exploration of the working-class Hindu woman. The ideals of these women are shaped amidst the realities of hard labor, financial hardship, dowry transactions, and restrictions on their mobility.


Drawing upon feminist cultural theories (Butler, Mulvey, Hall) and, specifically, studies concerning Hindu women such as the ideal of the pativrata (devoted wife), the norms of Stridharma, and the contrasting concept of Shakti (female power) this analysis demonstrates how the film both portrays and subverts the conventional image of the ideal Hindu woman.


Using analytical tables, we examine five distinct female archetypes (a devoted daughter-in-law, an educated agricultural reformer, a self-reliant shopkeeper, a self-identifying homemaker, and a matriarch who upholds tradition), This study shows how Laapataa Ladies transforms the attributes of women- shifting them from a state of quietly erasing or forgetting themselves- into a capacity defined by competence, hard work, and knowledge. This paper posits that the film's most significant and revolutionary move is to accord respect to the everyday labor and practical knowledge of working-class women- such as their expertise regarding seeds, soil, cooking, and their trades. The film presents this as the true foundation of the ideal Hindu woman in contemporary times. In doing so, Laapataa Ladies serves as a cultural work that reflects the evolving norms surrounding women, while also validating the indomitable spirit and strength of the rural working woman.

Article Details

How to Cite
Atreyee Dutta. (2026). REDEFINING THE IDEAL: PATRIARCHY AND THE WORKING-CLASS HINDU FEMININITY IN KIRAN RAO’S LAAPATAA LADIES. Journal of Daoist Studies, 19(S8), 1315–1326. Retrieved from https://journalofdaoiststudies.org/index.php/journal/article/view/1551
Section
Articles