A Quantitative Analysis of the Chromatic Representation of Lotus Imagery in Chinese Animated Films

Abstract

Lotus imagery is a prominent cultural symbol in Chinese visual traditions, yet its chromatic representation in animation remains underexplored. This study examines the colour characteristics of lotus imagery in Chinese animated films produced between 1926 and 2025, aiming to reveal how colour contributes to cultural expression and visual meaning-making. A mixed-methods approach was employed, combining quantitative colour analysis of selected animation frames with visual-cultural and semiotic interpretation. The findings identify a recurring chromatic structure centred on red, pink, green, and gold hues, while revealing significant variations across historical periods. These variations reflect shifts in aesthetic conventions, production practices, and cultural narratives within Chinese animation. The results suggest that colour functions not only as an aesthetic component but also as a symbolic system that communicates cultural values and identity. This study contributes to animation studies and digital humanities by providing a framework for integrating quantitative visual analysis with cultural interpretation.